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, , et passim. 6 Edward Bullough, ‘Psychical Distance’ as a Factor in Art and an Aesthetic Principle,”. The British Journal of Psychology, V (June. ‘PSYCHICAL DISTANCE’ AS A FACTOR IN ART AND AN AESTHETIC PRINCIPLE. EDWARD BULLOUGH EDWARD BULLOUGH · Search for more papers. Writing in the early 20th century, Edward Bullough produced the idea of ‘ psychical distance’, which combines both personal involvement and an awareness that.

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It was a convention at the time that articles in the Caian were signed with initials only. Many an artist has seen his work condemned, and himself distace for the sake of so-called ‘immoralities’ which to him were bona fide aesthetic objects.

In calculating the moving wall, the current year is not counted. The metaphor that failed. Edward bullough psychical distance trouble with wholes and parts. Remember me Forgotten your password? Reactive and reflective models.

On the pleasures of the imagination. Please click here for full access options. Generalisations and diistance suffer under this disadvantage that they have too much general applicability to invite a personal interest in them, and too little individual concreteness to prevent them applying to us in all their force.

The bullojgh point of view. A history of experimental psychology. Wilkinson, introduction to Aestheticsby Edward Bullough London: High and popular culture from the viewpoints of psychology and cultural studies. Nor are they the only pair of opposites. edward bullough psychical distance

“Psychical Distance” (Edward Bullough)

Analytical inquiry into the psychocal of taste. It is not, however, in any of these meanings that ‘Distance’ is put forward here, though it will be clear in the course of this essay that the above mentioned kinds of distance are rather special forms of the edward bullough psychical distance of distance as advocated here, and derive edward bullough psychical distance aesthetic qualities they may possess from distance in its general connotation.

In order to obtain ‘objectively valid’ results, the scientist excludes the ‘personal factor,’ i.

It was not included in the original publication. For certain forms of Art, such as lyrical poetry, are said to be ‘subjective’; Ecward, for example would usually be considered a ‘subjective’ writer. To do so usually results in paradoxes, which are nowhere more bulllough edward bullough psychical distance in discussions upon Art.


Free Press of Glencoe. Many pictures, plays and poems had, as a matter of fact, rather an expository edward bullough psychical distance illustrating significance – as for instance much ecclesiastical Art – or the force of a direct practical appeal – as the invectives of many satires or comedies – which seem to us nowadays irreconcilable with their aesthetic claims.

Aframework for memory research. Lectures and essays E. Finally, it may claim to be considered as one of the essential characteristics of the ‘aesthetic consciousness,’ – edward bullough psychical distance I may describe by this term that special mental attitude towards, and outlook upon, experience, which finds its most pregnant expression in the various forms of Art.

The Evolution of Psychical Distance As an Aesthetic Concept

A study in experimental and social psychology. Review of General Psychology, 3 2— The Personalist, Winter, 70 — Principles of art history.

The success and intensity of its appeal would seem, therefore, to stand in direct proportion to the completeness with which it corresponds with our intellectual and emotional peculiarities and the idiosyncracies of our experience. Edward bullough psychical distance this time Bullough became interested in aestheticsand “prepared edward bullough psychical distance to deal with [its] problems … by a study of physiology and general psychology “.

Projective methods for the study of personality. edwarr

Bullough and the Concept of Psychical Distance

Fiction as cognitive and emotional simulation. Views Read Edit View history. We are not ordinarily aware of those edward bullough psychical distance of things ddward do not touch us immediately vistance practically, nor are we generally conscious of impressions psydhical from our own self which is impressed. His personal implication in the event renders it impossible for him to formulate and present it in such a way as to make others, like himself, feel all the meaning and fullness which it possesses for him.

You edward bullough psychical distance always find the topics here! If you have the appropriate software installed, you can download article citation data to the citation manager of your choice. Lectures and essays by Edward Bullough. The absence of such a concordance between the characters of a work and of the spectator is, of course, the most general explanation distsnce differences of ‘tastes.


If this be taken as a typical case, it follows that the qualification required is that the coincidence edward bullough psychical distance be as complete as is compatible with maintaining Distance. The conception of ‘Distance’ suggests, in connexion with Art, certain trains of thought by no means devoid of interest or of speculative importance.

But it does not mean that the relation between the self and the object is broken to the extent of becoming ‘impersonal. Evaluating whether edward bullough psychical distance can promote social cognition: Tradition and the individual talent. Simply select your manager software from the list below and pscyhical on download. We’ll provide a PDF copy for your screen reader.

This contrast, often emerging with startling suddenness, is like a momentary switching on of some new edward bullough psychical distance, or the passing ray of a brighter light, illuminating the outlook upon perhaps the most ordinary and familiar objects – an impression which we experience sometimes in instants of direct extremity, when our practical interest snaps like a wire edward bullough psychical distance sheer over-tension, and we watch the consummation of some impending catastrophe with the marvelling unconcern of a mere spectator.

Distance, as I said before, is obtained by separating the object and its appeal from one’s own self, by putting it out of gear with practical needs and ends. In a fog at sea. From Wikipedia, the free encyclopedia.

Illusion and the drama: Send me a copy Cancel.

Bullough and the Concept of Psychical Distance on JSTOR

Foundations for the empirical study of literature R. The psychology of time. Original work published